Post
by polymath » June 20th, 2012, 4:41 pm
Not silly and makes perfect sense to me. Unraveling puzzles is a very human activity. And kudos for realizing that winning writers read and read deeply in order to become more effective writers.
But oh my gracious, unraveling a novel is a tall order to start with, let alone detail how. Consider a short story first. Pick a well-known, popularly and crtitically acclaimed one. O Henry's "The Gift of the Magi" has been on my test bench for some time, from the beginning. It's under five thousand words. The meaning of the story is accessible by audiences of all ages and sentiments. And it has all the literary conventions and traditions of prose writing.
Start with any area that suits your interest: setting, plot, idea, character, event, or discourse. They overlap, so try to stay focused on one until you build up your dissection muscles and skills.
Discourse, for example, who's the narrator? Whose voice predominates? Narrator or character? Whose voice is more evocative? How open or close is the narrative distance in each discernible part? Which writing modes does the writer use and from whose perspective to express the action: description, introspection, action, narration, emotion, sensation, summarization, exposition, conversation, recollection, explanation, or transition. They overlap so try to determine which of several are most in play for any given sentence or section. The basic principle here is the Show and Tell principle.
Or for plot determine which of antagonism, causation, and tension is most on point. Again, they overlap. But the underlying commonality is a problem wanting satisfaction. Locate the major problem wanting satisfaction and the entire structure can be dsimantled more easily.
Note the above fall into a convenient mnemonic for keeping track when away from notes and during mental exercise, though memorizing the mnemonic and its underlying concepts is difficult at first. DIANE'S SECRET SPICED ACT.
Spread the love of written word.