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by polymath » September 5th, 2011, 11:57 pm
Literary fiction is a tough labelling call for a writer to make. Made all the more tough from about every struggling writer anymore tritely appending that label to their pitches, queries, and synopses. Marketplace forces are a better metric for determining if a narrative fits in a literary category. I've encountered dozens of widely disparate qualifications for literary fiction, many of them at diametric odds with each other, and no consensus reasonably agreeing on what it is beyond knowing it when it's read.
A seemingly simple but challenging one, a protagonist experiences a noteable change in character, personality or behavior traits. Such a change oftentimes is a consequence of an internal conflict, albeit with external pressures chiming in. Young adult genre is particularly ripe for that sort of character change, more than coming of age and initiation into adulthood changes, moral and psychological growth in particular, or a narrower genre literary in nature known as bildungsroman, which isn't exclusive to young adult literature.
S.E. Hinton's seminal novel The Outsiders is an illustrative example of young adult, literary fiction bildungsroman. However, since its release, self-ordained moral authorities have condemned it as pornographic filth. Actually, it's one of the topmost banned library and school curriculum books in the U.S. since its release.
Last edited by
polymath on September 6th, 2011, 1:14 pm, edited 3 times in total.
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