Political Correctness in American Folklore
Posted: August 8th, 2012, 12:50 am
As I've mentioned a few times, I'm working on a YA fantasy novel series based on American folklore instead of European--you know, like instead of being inspired by Tolkien, it comes from Twain, Poe instead of Dunsany, Teddy Roosevelt instead of Charlemagne. Just as Conan the Barbarian's world is a fictionalized version of Dark Ages Europe, mine--the Republic of Pareidolia--is a fictionalized North America between the War of 1812 and the First World War. Instead of the Civil War, the Republic is threatened when miners "delve too got-dang deep" and unleash an ancient evil known as the Coal Fire King, and the fight against the infernal armies he summons replaces the Civil War. The plot involves a young runaway joining up with a group of hobos and joining a plot to prevent a manufacturing magnate from taking control of the country as draught and famine (analogous to the Depression and Dust Bowl), brought on by magical pollution from the War, drive the population to desperation.
There are two issues I'm running into, though--the American government's treatment of blacks, and their treatment of Native Americans. I'm trying to create a world inspired by that of American literature and oral tradition (with a complete disregard for the actual facts), and it's worked pretty well so far--the Pareidolian equivalent of George Washington is a mythic, larger-than-life hero, and the worst of the Industrial Revolution robber barons have been consolidated into Colonel Halcyon Sanglier Dougham. But older American sources are pretty harsh on minorities, and I can't seem to sound authentic without being offensive. I can't just ignore the issues of slavery and native population displacement. Attempts at political correctness always feel forced, probably due to the rest of the text being so old-fashioned. So I was hoping for some opinions on how to deal with the two issues--are these good solutions? Will people get offended? (It may be worth mentioning that I am myself an able-bodied, lower middle-class white male, which always makes these discussions a little harder to have.)
1a. My best idea so far for dealing with the US treatment of slavery is this: instead of the New World being colonized by European aristocrats, European underlings, and African slaves, the Republic of Pareidolia was colonized by the Light Elves (representing England) and the Dark Elves (representing France or possibly Spain) capturing humans from their homeland and forcing them into servitude in the new realms, eventually leading to a slave rebellion that is analogous to the American Revolution. Thus, every human in the Republic will share the plight of Africans in the real world.
1b. The eastern seaboard was worst ravaged by the war against the Coal Fire King, and remains sequestered by a wall of magic to keep the pollution from seeping out any worse than it already is. However, many pity the population trapped behind the wall, and an analogy of the Underground Railroad has been set up to smuggle people to freedom.
2. I'm really not sure what to do with Native Americans. The best I've come up with is a pretty straight-up analogy of some ethnic population that has been gradually forced from their homelands and into the inhospitable wastes of Toscalista in the western half of the Republic. One will certainly be a member of the main character's group, but I'm not sure what should happen with the rest. The cliche would have them act as a convenient standing army, and I'd like them to be a bit more dynamic than that...perhaps they are another faction of people being pressed to desperation by the mounting tensions? That should work. Now here's the tricky bit: there's a long-standing tradition in fantasy of using the magical races to represent real-world nations and cultures. I've got humans representing blacks, Light Elves representing the British, Dark Elves representing other European powers, Dwarves representing the Chinese (rare in the eastern Republic, more known in the west, generally doing menial labor and a very specialized and different kind of magic)...but somehow it just seems offensive to have the Native Americans show up as, like, cat-people, or winged faeries or something. Am I maybe worrying too much--getting pwned by liberal guilt?
There are two issues I'm running into, though--the American government's treatment of blacks, and their treatment of Native Americans. I'm trying to create a world inspired by that of American literature and oral tradition (with a complete disregard for the actual facts), and it's worked pretty well so far--the Pareidolian equivalent of George Washington is a mythic, larger-than-life hero, and the worst of the Industrial Revolution robber barons have been consolidated into Colonel Halcyon Sanglier Dougham. But older American sources are pretty harsh on minorities, and I can't seem to sound authentic without being offensive. I can't just ignore the issues of slavery and native population displacement. Attempts at political correctness always feel forced, probably due to the rest of the text being so old-fashioned. So I was hoping for some opinions on how to deal with the two issues--are these good solutions? Will people get offended? (It may be worth mentioning that I am myself an able-bodied, lower middle-class white male, which always makes these discussions a little harder to have.)
1a. My best idea so far for dealing with the US treatment of slavery is this: instead of the New World being colonized by European aristocrats, European underlings, and African slaves, the Republic of Pareidolia was colonized by the Light Elves (representing England) and the Dark Elves (representing France or possibly Spain) capturing humans from their homeland and forcing them into servitude in the new realms, eventually leading to a slave rebellion that is analogous to the American Revolution. Thus, every human in the Republic will share the plight of Africans in the real world.
1b. The eastern seaboard was worst ravaged by the war against the Coal Fire King, and remains sequestered by a wall of magic to keep the pollution from seeping out any worse than it already is. However, many pity the population trapped behind the wall, and an analogy of the Underground Railroad has been set up to smuggle people to freedom.
2. I'm really not sure what to do with Native Americans. The best I've come up with is a pretty straight-up analogy of some ethnic population that has been gradually forced from their homelands and into the inhospitable wastes of Toscalista in the western half of the Republic. One will certainly be a member of the main character's group, but I'm not sure what should happen with the rest. The cliche would have them act as a convenient standing army, and I'd like them to be a bit more dynamic than that...perhaps they are another faction of people being pressed to desperation by the mounting tensions? That should work. Now here's the tricky bit: there's a long-standing tradition in fantasy of using the magical races to represent real-world nations and cultures. I've got humans representing blacks, Light Elves representing the British, Dark Elves representing other European powers, Dwarves representing the Chinese (rare in the eastern Republic, more known in the west, generally doing menial labor and a very specialized and different kind of magic)...but somehow it just seems offensive to have the Native Americans show up as, like, cat-people, or winged faeries or something. Am I maybe worrying too much--getting pwned by liberal guilt?