Re: Why we love bad writing
Posted: December 28th, 2010, 3:48 pm
In doing research on the Enlightenment period, I came across this paragraph in a Wikipedia article. It made me laugh, given the tone of this thread. It concerns the buying habits of French readers at a particular bookstore during the early 1700's.
"Mauvelain’s records give us a good representation of what literate Frenchmen might have truly read, since the clandestine nature of his business provided a less restrictive product choice. The most popular category of books was political (319 copies ordered). This included five copies of D’Holbach’s Système social, but around 300 libels and pamphlets.Readers were far more interested in sensationalist stories about criminals and political corruption than they were in political theory itself. The second most popular category, “general works” (those books “that did not have a dominant motif and that contained something to offend almost everyone in authority”) likewise betrayed the high demand for generally low-brow subversive literature. These works, however, like the vast majority of work produced by Darnton’s “grub street hacks”, never became part of literary canon, and are largely forgotten today as a result.[34]"
Seems there has always been a market for exciting stories -- even if the words used to tell them don't always inspire the critics to sing their praises.
"Mauvelain’s records give us a good representation of what literate Frenchmen might have truly read, since the clandestine nature of his business provided a less restrictive product choice. The most popular category of books was political (319 copies ordered). This included five copies of D’Holbach’s Système social, but around 300 libels and pamphlets.Readers were far more interested in sensationalist stories about criminals and political corruption than they were in political theory itself. The second most popular category, “general works” (those books “that did not have a dominant motif and that contained something to offend almost everyone in authority”) likewise betrayed the high demand for generally low-brow subversive literature. These works, however, like the vast majority of work produced by Darnton’s “grub street hacks”, never became part of literary canon, and are largely forgotten today as a result.[34]"
Seems there has always been a market for exciting stories -- even if the words used to tell them don't always inspire the critics to sing their praises.