Boilerplates
Boilerplates
This is a little here and there. And not writerly, exactly. But I've just contracted with a Big Six to do some head shots of one of their authors for a very small fee. They've asked me to sign a contract giving them worldwide exclusive rights for ten years. They have the right to edit my images however they like, and I can't even use them in my own portfolio without their permission. Does this sound right? Or, are they taking advantage?
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Re: Boilerplates
My slightly-knowledgeable opinion: In a work-for-hire situation, you don't hold any rights at all to the photos. It sounds like the publisher's trying to split the difference, giving you some rights after ten years in return for not paying you very much.
Also, I would note that depending on the laws where you live, the author could also have some amount of control over what you do with their photos. Even if the publisher agreed, the author might not permit you to have the photos in your portfolio.
My advice: do it for the money. If the money isn't enough — along with the photographic experience you'd gain and, if you care, the opportunity to meet the author — then turn it down. This is not an opportunity to collect photos of the author.
Also, I would note that depending on the laws where you live, the author could also have some amount of control over what you do with their photos. Even if the publisher agreed, the author might not permit you to have the photos in your portfolio.
My advice: do it for the money. If the money isn't enough — along with the photographic experience you'd gain and, if you care, the opportunity to meet the author — then turn it down. This is not an opportunity to collect photos of the author.
Re: Boilerplates
This is an interesting question.
I don't know the answer, but I wanted to say that I'm impressed that you were hired by a well-known publisher. No matter what you decide, I think that's pretty validating! Kudos!
I don't know the answer, but I wanted to say that I'm impressed that you were hired by a well-known publisher. No matter what you decide, I think that's pretty validating! Kudos!
My blog: http://mirascorner.blogspot.com/
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Re: Boilerplates
I sent an email to Amanda Plavich and asked her to come weigh in. I know she's a photographer and has answered questions about freelance work before. Hopefully she can give us some insight!
May the word counts be ever in your favor. http://www.sommerleigh.com
Be nice, or I get out the Tesla cannon.
Be nice, or I get out the Tesla cannon.
- charlotte49ers
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Re: Boilerplates
Hey! Sorry it's taken me a bit to respond. Gotta love the holiday crazy!
I don't claim to be an expert on freelance stuff because I've only done touches of it. I did shots for a HarperCollins author, but the publisher didn't ask for rights. They just wanted something in writing giving them permission to use the shots on the book jackets and in promotions. But I worked with the author directly. The editing part is common, as even in traditional portrait digital purchases, they have the right to edit if they really want to (plus, that covers them for B&W conversions, crops, etc.).
I'd have a hard time doing it for a small fee just because I don't need to, if that makes sense. If it's less than what I'd make on a portrait session I wouldn't be able to justify the time I'd have to put into it, especially since they'd own the rights and I wouldn't even get public credit for it.
It really comes down to if it is worth it to you.
I don't claim to be an expert on freelance stuff because I've only done touches of it. I did shots for a HarperCollins author, but the publisher didn't ask for rights. They just wanted something in writing giving them permission to use the shots on the book jackets and in promotions. But I worked with the author directly. The editing part is common, as even in traditional portrait digital purchases, they have the right to edit if they really want to (plus, that covers them for B&W conversions, crops, etc.).
I'd have a hard time doing it for a small fee just because I don't need to, if that makes sense. If it's less than what I'd make on a portrait session I wouldn't be able to justify the time I'd have to put into it, especially since they'd own the rights and I wouldn't even get public credit for it.
It really comes down to if it is worth it to you.
http://www.amandaplavich.com
@amandaplavich
@amandaplavich
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Re: Boilerplates
Thanks for stopping by, Amanda! Your experience is always really appreciated.
May the word counts be ever in your favor. http://www.sommerleigh.com
Be nice, or I get out the Tesla cannon.
Be nice, or I get out the Tesla cannon.
- Nathan Bransford
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Re: Boilerplates
Ha - love these forums, I have no idea about this question but the other answers seem helpful!
- CharleeVale
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Re: Boilerplates
I'm a pro photographer as well, (It's one of my many jobs), and I echo this whole heartedly.charlotte49ers wrote: I don't claim to be an expert on freelance stuff because I've only done touches of it. I did shots for a HarperCollins author, but the publisher didn't ask for rights. They just wanted something in writing giving them permission to use the shots on the book jackets and in promotions. But I worked with the author directly. The editing part is common, as even in traditional portrait digital purchases, they have the right to edit if they really want to (plus, that covers them for B&W conversions, crops, etc.).
I'd have a hard time doing it for a small fee just because I don't need to, if that makes sense. If it's less than what I'd make on a portrait session I wouldn't be able to justify the time I'd have to put into it, especially since they'd own the rights and I wouldn't even get public credit for it.
It really comes down to if it is worth it to you.
If it's not worth it to you, then don't do it. But a potential benefit of doing it is that if you do good work the publishing house may continue to use you, which will mean more money. Pros and cons abound!
CV
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